THE FIGURE-PAINTING GUIDE

Painting the human figure

A painted figure is built, not traced. Every workable method solves the same problem, turning a three-dimensional body into marks on a flat surface, and the solutions fall into three families: construction (build the forms from planes and masses), measurement (verify points against the model), and observation (paint what the light actually does, slowly). Most serious figure painters combine two of the three.

Start with the working guide below, then study the masters by the family closest to how you think. If you are unsure which that is, the free diagnostic reads how you work and points you to the nearest painter.

How to Paint the Figure in Oil
The working guide: block-in, construction, and the order of decisions on a figure.
John Vanderpoel: The Human Figure, plane by plane
The construction teacher. His plane-by-plane method trained Leyendecker and O’Keeffe.
Bouguereau: the academic figure
The full academic pipeline, drawing to ebauche to finish, at its most disciplined.
Euan Uglow: the measured figure
Measurement as the method. Plumb lines, marks, and a figure built from verified points.
Egon Schiele: the contour figure
Line-first figures: what construction looks like when contour carries everything.
Lucian Freud: the observed figure
Slow observation over sittings, flesh built in loaded paint.
Figure painting at a serious level also means focused figure study away from the easel; no course replaces it. How that study fits into a painting process that is yours, and where your weak links are, is the work the Methods program exists for.